Black Beauty Culture: Advocacy, Legacy, and the Work That Continues
- Jan 27
- 4 min read
Updated: Jan 28

When Samantha Dixon Slawter founded the Black Beauty Culture Association in 2016, it was not simply the launch of a nonprofit—it was an act of advocacy rooted in history, lived experience, and cultural responsibility.
“I started The Black Beauty Culture Association as a non-profit business in 2016. It was a way to advocate for myself and my community.”
As the organization approaches its tenth anniversary, that advocacy has evolved into sustained work focused on equity, recognition, and structural change for Black beauty professionals in Nova Scotia and beyond.
Rooted in Nova Scotia’s Black History
For Samantha, anchoring this work in Nova Scotia was essential—not symbolic.
“Black people started arriving in Acadia, what would become Nova Scotia, as early as 1604. The Black community in Nova Scotia is where Black culture began in Canada.”
With more than 400 years of documented history and 52 historical Black communities, Nova Scotia represents one of the deepest roots of Black presence in the country.
Samantha also points to one of the earliest recorded Black figures in Canadian history—Mathieu Da Costa—as evidence of how deeply Black culture, language, and hair presence are woven into the nation’s origin story.
“The first documented account of Black hair’s arrival was in Acadia with the arrival of the Black interpreter Mathieu Da Costa.”
Beauty as Culture, Not Cosmetics
Samantha’s understanding of beauty culture was shaped early through family, work, and lived experience. Her uncle owned one of the longest-running Black-owned salons in Nova Scotia, where she began working in 1984 as a receptionist and bookkeeper.
“The school I attended did not teach or offer Black hair services.”
Instead, she completed her required hours in her uncle’s salon and challenged the provincial exam—earning her license within a system built entirely around European beauty standards.
That experience clarified something fundamental: Black hair care was never informal—it was simply excluded.
“Black hair care is art, spiritual, historical, scientific—it’s political and technical. It’s been hated, abhorred, and called everything but human hair, but it is still hair and still here. Now it’s being adored.”
Community, Resilience, and Black Hair-itage
Historically, Black hair care in Nova Scotia has been sustained through community.
“Black people have been taking care of each other since they’ve been on this side of the hemisphere. Anyone who could do hair did it—and that person became the hair gem.”
Without institutional support, Black communities became their own educators, innovators, and archivists. Techniques were self-taught, refined, and passed down generationally.
“Much of today’s technology is built on or enhanced by what our foreparents taught us—or taught themselves.”
Carrying Forward the Legacy of Viola Desmond
The influence of Viola Desmond runs deeply through Samantha’s work—not only as a civil rights icon, but as a beauty pioneer. Often referred to as the “Rosa Parks of Canada,” Desmond was a Nova Scotia businesswoman whose 1946 arrest for challenging racial segregation became a defining moment in Canada’s civil rights history.
Less widely known is her role as the founder of one of Nova Scotia’s first beauty schools for Black women—creating professional pathways at a time when access to formal beauty education was denied.
“I learned of Viola Desmond’s work from one of her first graduates—Verna Skinner, whose hair I had the privilege of doing. Miss Skinner gifted me her tools of the trade.”
The exchange represents more than mentorship—it is a literal passing of legacy.
“She changed the culture for Black women in Nova Scotia and challenged not only the unwritten law of Jim Crow here, but the European beauty standard that still exists today.”
Government Recognition—and the Work Ahead
In recent years, Black Beauty Culture achieved government recognition as a designated trade. In Canada, a designated trade is a formally recognized occupation governed by provincial standards, training pathways, and apprenticeship frameworks—granting legitimacy, structure, and access within regulated industries.
While historic, Samantha is clear-eyed about what that recognition truly represents.
“The work is not done. The designation is the beginning of the real work.”
Although the Nova Scotia government and the Nova Scotia Apprenticeship Agency have designated the Black Beauty Culture Hair Innovator trade, its only offers an illusion of inclusion. Mainly because it has not yet been fully acknowledged within the Cosmetology Act or recognized by the Cosmetology Association of Nova Scotia.
The Nova Scotia Government can provide further direction towards full inclusion through change to policy and legislation.
“My work has just begun. The Revolution Continues!”
Education, Health, and Economic Empowerment
For Samantha, culturally specific beauty education is about more than certification—it is about recognition of personhood.
“This acknowledges our personhood.”
When Black Beauty Culture is fully integrated into the beauty industry, it creates pathways for employment, entrepreneurship, and economic growth within Black communities.
She also emphasizes the deep connection between beauty and health.
“Beauty culture is health.”
Historically, barbers provided healthcare services, and in Nova Scotia, the health department once oversaw the beauty industry. Access to proper hair care and treatment directly impacts physical health, mental wellbeing, and overall quality of life.
Looking Forward
Looking ahead, Samantha envisions Black Beauty Culture being recognized not only in Nova Scotia, but globally—as a legitimate and complete pathway toward full hairdressing licensure within cosmetology.
“We are still here. What I hope people take away is respect—for our history, our self-care, our self-determination, and our self-education.”
Her message is both grounded and resolute: Black Beauty Culture has endured centuries of exclusion, and its future will be shaped by continued advocacy, recognition, and respect.
The work continues—and so does the revolution.
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I appreciate the emphasis on the intrinsic connection between beauty and health. The article elevates the conversation beyond aesthetics. It frames beauty culture as both a creative and economic force, the message affirms its role in strengthening community resilience and self-determination and reinforces the understanding that beauty spaces can serve as sites of care, empowerment, and holistic wellness.
Beautiful work! Keep inspiring.
Extremely proud of you for continuing to carry the torch. Keep up the good work!
A wonderful article written about the most beautiful and inspiring woman I have the pleasure of knowing 💙
Thank you for all of your work
I would like to take time to thank Samantha for standing up to societal bullying, and exclusion of black beauty. And for setting a standard that beauty comes from inward to outward. I feel she is a shining example of the power of one voice becoming the voice of many. As a woman who was raised by many women I was immersed in black beauty from a very young age. Doing perms, and washing hair, greasing scalps, blowdrying, braiding, curling, finger waving, dreading...I have always believed every child of God to be lovely, and unique. I support anhcpro 100%. I pray God help our young ladies of every Nation to know esteem, and they are unique, and special💓 And always100%…
I salute and congratulate you on your inspiring dedication to Black Hair Care and education. You continue to strive toward excellence in the service you provide. You are a true Beacon and approach your work with tenacity and determination. May God continue to bless you as you bless.others
Barbara Simmons Dixon